Writing & Research
Writing
Imagine Change
An essay for Art Center’s DOT magazine that explore ideas for how art and design education could evolve using a range of digital tools, including tablets.
website: http://issuu.com/artcenteredu/docs/dot_19/13
Slabs, Sofducts, and Bespoke Objects
This essay explores the emerging landscape for designers as influenced by post-PC devices, cheap sensors and electronics, and pervasive networks and the consequential shift towards ubiquitous computing, tangible interaction, and cloud services.
website: http://johnnyholland.org/2011/05/19/the-new-ecology-of-things-slabs-sofducts-and-bespoke-objects/
The New Ecology of Things
A transmedia publication that explores design and education issues in ubiquitous, networked objects & spaces. This publication includes a book, poster, mobile phone content and a website that themselves are a kind of new ecology of things with essays, images, vidoe, reader feedback, and interactive experiences. (2007-2008)
website: http://newecologyofthings.net
book: The New Ecology of Things (NET)
Productive Interaction
An essay that proposes a new design paradigm for interactive design called productive interaction. This approach views the user as an active participant in the creation of new meaning for themselves through their interactions. Productive Interaction is an alternative to ”experience design,” which this essay characterizes as valuable but flawed because it puts the designer in the position of designing the experience rather than the user. (2004)
website: http://productiveinteraction.net/
PDF of essay: Productive Interaction
Thinking About Interaction Design for Online News Delivery
An article that applies the ideas of Productive Interaction to the news publications. (USC Annenberg – Online Journalism Review 2004)
website: http://ojr.org/ojr/technology/1088538463.php
Designing the future: writing, design and research on NOT-linear interaction
“How can designers make more meaningful, rich and user enabling interactive systems? What are the best principles, affordances and techniques of interactive design, what are some examples, and how should designers approach this challenge?”
Essay at the ACM website: http://portal.acm.org/citation.cfm?doid=1013115.1013182
Dimensional Story Space
An article I wrote in 1992 for a group called Interactive Expression. Several of us in the Los Angeles area working at Philips and other “multimedia” companies in the early days got together to discuss the potentials for this new medium. This article outlines the limitations and potentials for interactive stories.
website: http://www.philvanallen.com/ideas/dimensional-story-space/
Research Statement
My work revolves around how the designed behavior of things (objects and spaces, physical and virtual) can create powerful mixes of utility and significance for people. In particular, I’m interested in deploying systems of things with productive affordances that enable:
- knowledge creation, dissemination, and exploration
- evocative, poetic and powerful interactions with our virtual and physical things
- the inspiration and fostering of imagination
These ecologies of things are composed of embodied and tangible artifacts in combination with virtual, pliable media in all its forms. In addition to creating systems of knowledge, control and imagination, I’m interested in the fundamental and challenging questions around the relationship between the tangible and the virtual, the embodied thing and the media thing. Recently, I’ve also been doing work related to animism as a strategy for interaction design.
The following are specific areas of investigation:
The New Ecology of Things / Interactive Objects & Spaces - The design of interactive systems that embed computing and networking capability in everyday objects and spaces, creating new, embodied interactions for people. These systems sense and act in the world and involve human scale interfaces, activating spaces with kinetic behavior, embedding dynamic images, video, text and audio in spaces, and creating ecologies of networked devices that communicate and work collaboratively with each other and with people.
Productive Interaction - Designing new systems of interaction that empower the user to create their own sets of meanings. These systems range from high definition environments for exploring complex information to interactive installations at auto shows.
Animism - Exploring the natural human tendency to think of objects and spaces as have an inner life that is expressed through behaviors. I think it’s possible to use a poetic version of animism to make our complex digital stuff more understandable and transparent, paradoxically by wrapping the behavior of these systems in imaginative fictions of animism.
Interactive Music & Sound - Designing systems that enable people to dynamically interact with sound to create new experiences. These systems are smart and understand how to automatically remix and recombine music and sound, providing the user with simple handles for complex behaviors. Examples include music making products for non-musicians and interactive multi-channel, surround-sound installations. Of particular interest are systems that enable multiple people to collaborate in the creation of music and sound landscapes in real time, both for enjoyment and to create layers of sonic information within interactive knowledge environments.
